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June 18, 2007, at 06:21 PM by Floh -
Changed line 44 from:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily, Wednesday, Thursday, and Friday. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily, Wednesday, Thursday, and Friday. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily, Wednesday, Thursday, and Friday. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily, Wednesday, Thursday, and Friday. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily, Wednesday, Thursday, and Friday. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily, Wednesday, Thursday, and Friday. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
June 18, 2007, at 06:20 PM by Floh -
Changed line 44 from:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
Changed line 153 from:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE, JPL 26, from noon to 2:00pm daily.
June 12, 2007, at 06:33 PM by Floh -
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The conference room will be available for those that wish to meet and continue discussions.
to:
The conference room will be available for those who wish to meet and continue discussions.
June 12, 2007, at 06:32 PM by Floh -
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
Changed lines 93-94 from:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily. ''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
June 12, 2007, at 06:26 PM by Floh -
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(:if false:)
to:
(:if true:)
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(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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(:table border=1 width=100% bgcolor=#fff5f5 cellspacing=0:)
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(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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(:table border=1 width=100% bgcolor=#f5fff5 cellspacing=0:)
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(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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(:table border=1 width=100% bgcolor=#fffff5 cellspacing=0:)
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(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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(:table border=1 width=100% bgcolor=#f5f5ff cellspacing=0:)
Added lines 181-190:

(:table border=1 width=100% bgcolor=#f5ffff cellspacing=0:)
(:cellnr align=center:) [++'''Saturday, June 23'''++]
(:cellnr align=center:) '''''7:30am–9:00am'''''
'''Breakfast'''
(:cellnr align=center:) '''''9:00am–noon'''''
'''Open Forum'''\\
The conference room will be available for those that wish to meet and continue discussions.
(:tableend:)
June 12, 2007, at 05:57 PM by Floh -
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(:table border=1 width=100%:)
to:
(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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'''Meet ans Greet''', PDC 202
to:
'''Meet and Greet''', PDC 202
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(:table border=1 width=100%:)
to:
(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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\\
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Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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\\
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Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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(:table border=1 width=100%:)
to:
(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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Guest Speaker: Susan Collins''
to:
Guest Speaker: Susan Collins\\
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\\
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Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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\\
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Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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\\
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(:table border=1 width=100%:)
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(:table border=1 width=100% bgcolor=#eeeeee cellspacing=0:)
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\\
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Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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\\
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Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
to:
''Tulipomania'' & ''Seven Valleys'' will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
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(:if true:)
to:
(:if false:)
June 12, 2007, at 05:45 PM by Floh -
Changed lines 122-124 from:
to:
''Six Axioms''\\
Randy Jones\\
(Max Bell 253), followed by reception
Changed lines 132-133 from:
Guest Speaker: Lance Williams\\
''Computational Aesthetics, Synthetic Hallucination''
to:
Guest Speaker: Maureen Stone\\
''Designing Colors for Data''
Changed lines 137-138 from:
'''Session: '''\\
to:
Changed lines 154-155 from:
'''Session: '''\\
to:
'''Session: Automated Measurements'''\\
''Computing Birkhoff's Aesthetic Measure using Shannon Entropy and Kolmogorov Complexity''\\
Jaume Rigau, Miquel Feixas, and Mateu Sbert\\
\\
''Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine''\\
Chris Nelson\\
\\
''Extracting the Essence from Sets of Images''\\
Marc Alexa
Changed line 168 from:
'''Session: '''
to:
'''Rest and Recuperation or Hike or Climb with Blob'''
Changed lines 172-173 from:
'''Performance'''\\
to:
'''Werewolf'''
June 12, 2007, at 05:40 PM by Floh -
Changed lines 73-74 from:
Guest Speaker: Lance Williams\\
''Computational Aesthetics, Synthetic Hallucination''
to:
Guest Speaker: Susan Collins''
''Pixel Landscapes and the Aesthetics of Transmission''
Changed lines 78-79 from:
'''Session: '''\\
to:
'''Session: Visual and Visualization Aesthetics'''\\
''Stipple Placement using Graph Search''\\
David Mould\\
\\
''Aesthetics of Graph Visualization''\\
Chris Bennett, Jody Ryall, Leo Spalteholz, and Amy Gooch\\
\\
''Tulipomania''\\
Leila Sujir and Maria Lantin\\
\\
''Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments''\\
David Sprague and Amy Gooch
Changed lines 95-96 from:
'''Session: '''\\
to:
Changed lines 109-117 from:
'''Session: '''
to:
'''Session: Model Manipulation'''\\
''An Information-Theoretic Ambient Occlusion''\\
Francisco Gonzalez, Mateu Sbert, and Miquel Feixas\\
\\
''A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist''\\
Arlene Stamp, Tobias Isenberg, and Sheelagh Carpendale\\
\\
''Liquid Penetration Modeling for Cloth Dyeing''\\
Yuki Morimoto, Reiji Tsuruno, and Kiyoshi Tomimatsu
June 12, 2007, at 05:35 PM by Floh -
Changed line 10 from:
(:cellnr align=center:) [+'''Wednesday, June 20'''+]
to:
(:cellnr align=center:) [++'''Tuesday, June 19'''++]
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(:cellnr align=center:) [+'''Thursday, June 21'''+]
to:
(:cellnr align=center:) [++'''Wednesday, June 20'''++]
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New Methods to Project Panoramas for Practical and Aesthetic Purposes\\
to:
''New Methods to Project Panoramas for Practical and Aesthetic Purposes''\\
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The Bridge Project\\
to:
''The Bridge Project''\\
Changed line 36 from:
Flattening the Viewable Sphere\\
to:
''Flattening the Viewable Sphere''\\
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In the Eye of the Beholder - Perception of Indeterminate Art\\
to:
''In the Eye of the Beholder—Perception of Indeterminate Art''\\
Changed line 51 from:
BoredomResearch: Vicky Isley and Paul Smith\\
to:
[=BoredomResearch=]: Vicky Isley and Paul Smith\\
Added lines 67-130:

(:table border=1 width=100%:)
(:cellnr align=center:) [++'''Thursday, June 21'''++]
(:cellnr align=center:) '''''7:30am–9:00am'''''
'''Breakfast'''
(:cellnr align=center:) '''''9:00am–10:00am'''''
Guest Speaker: Lance Williams\\
''Computational Aesthetics, Synthetic Hallucination''
(:cellnr align=center:) '''''10:00am–10:30am'''''
'''Break'''
(:cellnr align=center:) '''''10:30am–12:30pm'''''
'''Session: '''\\

(:cellnr align=center:) '''''12:30pm–2:00pm'''''
'''Lunch''' (food service stops at 1:30pm)
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
(:cellnr align=center:) '''''2:00pm–3:30pm'''''
'''Session: '''\\

(:cellnr align=center:) '''''3:30pm–4:00pm'''''
'''Break'''
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
(:cellnr align=center:) '''''4:00pm–5:30pm'''''
'''Session: '''
(:cellnr align=center:) '''''5:30pm–7:00pm'''''
'''Dinner''' (Dining Hall)
(:cellnr align=center:) '''''7:00pm–9:00pm'''''
'''Performance'''\\

(:tableend:)

(:table border=1 width=100%:)
(:cellnr align=center:) [++'''Friday, June 22'''++]
(:cellnr align=center:) '''''7:30am–9:00am'''''
'''Breakfast'''
(:cellnr align=center:) '''''9:00am–10:00am'''''
Guest Speaker: Lance Williams\\
''Computational Aesthetics, Synthetic Hallucination''
(:cellnr align=center:) '''''10:00am–10:30am'''''
'''Break'''
(:cellnr align=center:) '''''10:30am–12:30pm'''''
'''Session: '''\\

(:cellnr align=center:) '''''12:30pm–2:00pm'''''
'''Lunch''' (food service stops at 1:30pm)
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
(:cellnr align=center:) '''''2:00pm–3:30pm'''''
'''Session: '''\\

(:cellnr align=center:) '''''3:30pm–4:00pm'''''
'''Break'''
(:cellnr align=center:) Art works associated with the conference are on display in Max Bell 253 from 1:00pm to 7:00pm daily.\\
Tulipomania & Seven Valleys will be shown alternately in the BNMI's Visualization Lab CAVE from noon to 5:00pm daily.
(:cellnr align=center:) '''''4:00pm–5:30pm'''''
'''Session: '''
(:cellnr align=center:) '''''5:30pm–7:00pm'''''
'''Dinner''' (Dining Hall)
(:cellnr align=center:) '''''7:00pm–9:00pm'''''
'''Performance'''\\

(:tableend:)
June 12, 2007, at 05:29 PM by Floh -
Changed lines 8-9 from:
!! Advace Program
(:table border=1:)
to:
!! Advance Program
(:table border=1 width=100%:)
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Check-in and Registration
to:
'''Check-in and Registration'''
Changed lines 14-15 from:
Meet ans Greet, PDC 202
to:
'''Meet ans Greet''', PDC 202
(:tableend:)

(:table border=1 width=100%:)
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Breakfast
to:
'''Breakfast'''
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Conference Address from Co-Chairs
to:
'''Conference Address from Co-Chairs'''
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Break
(:cellnr align=center:) '''''10:30am–12:30am'''''
to:
'''Break'''
(:cellnr align=center:) '''''10:30am–12:30pm'''''
Added lines 41-65:
June 12, 2007, at 05:17 PM by Floh -
Added lines 7-41:
May 12, 2007, at 02:13 AM by 136.159.7.11 -
Changed lines 25-26 from:
%comment%* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
%comment%* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
to:
* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
May 10, 2007, at 10:06 PM by 136.159.7.11 -
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(:if false:)
!! Accepted Papers
to:
(:if true:)
!! Accepted Papers, arts papers to be announced
Changed lines 25-26 from:
* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
to:
%comment%* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
%comment%* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
May 10, 2007, at 04:17 PM by 136.159.7.11 -
Changed lines 9-13 from:

* German, d'Angelo, Gross, Postle: New Methods to Project Panoramas for Practical and Aesthetic Purposes
* German, Burchill, Duret-Lutz, Perez-Duarte, Perez-Duarte, Sommers: Flattening the Viewable Sphere
* Wallraven: In the Eye of the Beholder – Perception of Indeterminate Art
* Rivotti, Proenca, Jorge, Souse: Composition Principles for Quality Depiction and Aesthetics
to:
Changed lines 16-26 from:
* Gonzalez and Sbert: An Information-Theoretic Ambient Occlusion
* Gruber and Glaeser: Magnetism and Minimal Surfaces – A Different Tool for Surface Design
* Cunningham, Fleming, Wallraven, Straßer: Perceptual Reparameterization of Material Properties
* Yuki, Tsuruno, Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing
* Rigau, Feixas, Sbert: Computing Birkhoff's Aesthetic Measure using Shannon Entropy and Kolmogorov Complexity
* Alexa: Extracting the Essence from Sets of Images
* Kozarek and Staudek: What Does Make Ornaments Beautiful?
* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
* Sprague and Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments
* Bennett, Ryall, Spalteholz, Gooch: Aesthetics of Graph Visualization
to:
* Chris Bennett, Jody Ryall, Leo Spalteholz, and Amy Gooch: Aesthetics of Graph Visualization
Changed lines 18-27 from:
* Neumann, Cadik, Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation
to:
* László Neumann, Martin Cadik, and Antal Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation
* Franz Gruber and Georg Glaeser: Magnetism and Minimal Surfaces – A Different Tool for Surface Design
* Douglas Cunningham, Roland Fleming, Christian Wallraven, and Wolfgang Straßer: Perceptual Reparameterization of Material Properties
* Yuki Morimoto, Reiji Tsuruno, and Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing
* Jaume Rigau, Miquel Feixas, and Mateu Sbert: Computing Birkhoff's Aesthetic Measure using Shannon Entropy and Kolmogorov Complexity
* Marc Alexa: Extracting the Essence from Sets of Images
* Pavel Kozárek and Tomáš Staudek: What Does Make Ornaments Beautiful?
* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
* David Sprague and Amy Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments
May 09, 2007, at 07:03 PM by 136.159.7.11 -
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!!Invited Speakers

[[http://www.susan-collins.net/ | '''Susan Collins''']] is one of the UK's leading artists working with digital media. Her recent works employ transmission, networking, and time as primary materials, often exploring the role of perception in their construction and interpretation. She exhibits internationally in public, gallery, and online spaces with works including [[http://www.inconversation.com/ | ''In Conversation'']]; [[http://www.tate.org.uk/space/ | ''Tate in Space'']] commissioned for Tate online; ''Transporting Skies'' which transported sky live between Penzance and Sheffield; [[http://www.susan-collins.net/spectrascope/ | ''The Spectrascope'']], a live transmission from a haunted manor house; ''Underglow'', a network of illuminated drains commissioned by the Corporation of London, and the [[http://www.susan-collins.net/fenlandia/ | ''Fenlandia'']]/[[http://www.susan-collins.net/glenlandia/ | ''Glenlandia'']] series, an ongoing exploration into time, technology and landscape. Collins is Head of The Slade Centre for Electronic Media (SCEMFA) at the Slade School of Fine Art, University College London.

'''Talk: Pixel Landscapes and the Aesthetics of Transmission'''

'''Abstract: ''' Poised between the still and the moving image, the lens and the pixel, recent networked projects including [[http://www.susan-collins.net/fenlandia/ | ''Fenlandia'']], [[http://www.susan-collins.net/glenlandia/ | ''Glenlandia'']] and [[http://www.susan-collins.net/spectrascope/ | ''The Spectrascope'']] explore how images can be coded and decoded using both light and time. This presentation will explore issues raised by the work including the relationship between landscape, technology and time; abstraction in relation to representation, and reflects on what it means materially to record a digital image and transmit it across space and time.

%lframe% Attach:Main.SideBar/stone-small.jpg
[[http://www.stonesc.com/ | '''Maureen C. Stone''']] has been working in digital color, graphics, perception and the tools for information display for almost 30 years. As principle of [=StoneSoup=] Consulting, she assists both business and research clients on a wide range of color problems, as well as teaching. She is an adjunct professor at Simon Fraser University's School for Interactive Arts and Technology, and editor in chief of IEEE Computer Graphics & Applications. Her book, ''A Field Guide to Digital Color'', was published by A.K. Peters in 2003. Prior to starting [=StoneSoup=] Consulting, she worked at the Xerox Palo Alto Research Center, on projects in digital color, graphics, and interaction. [[<<]]

%lframe% Attach:Main.SideBar/lance_pyramid_small.jpg
[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas and the University of Utah. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. He has worked at the New York Institute of Technology, the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. [[<<]]

!! Conference Program

To be announced.
to:
!![[Main.InvitedSpeakers | Invited Speakers]]

* Susan Collins: Pixel Landscapes and the Aesthetics of Transmission
* Maureen C. Stone
* Lance J. Williams

(:if false:)
!! Accepted Papers

* German, d'Angelo, Gross, Postle: New Methods to Project Panoramas for Practical and Aesthetic Purposes
* German, Burchill, Duret-Lutz, Perez-Duarte, Perez-Duarte, Sommers: Flattening the Viewable Sphere
* Wallraven: In the Eye of the Beholder &ndash; Perception of Indeterminate Art
* Rivotti, Proenca, Jorge, Souse: Composition Principles for Quality Depiction and Aesthetics
* David Mould: Stipple Placement using Graph Search
* Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: Aesthetics of Hand-Drawn Versus Computer-Generated Stippling
* Gonzalez and Sbert: An Information-Theoretic Ambient Occlusion
* Gruber and Glaeser: Magnetism and Minimal Surfaces &ndash; A Different Tool for Surface Design
* Cunningham, Fleming, Wallraven, Stra&szlig;er: Perceptual Reparameterization of Material Properties
* Yuki, Tsuruno, Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing
* Rigau, Feixas, Sbert: Computing Birkhoff's Aesthetic Measure using Shannon Entropy and Kolmogorov Complexity
* Alexa: Extracting the Essence from Sets of Images
* Kozarek and Staudek: What Does Make Ornaments Beautiful?
* Arlene Stamp, Tobias Isenberg, Sheelagh Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist
* Holly Schmidt, Uta Hinrichs, Alan Dunning, and Sheelagh Carpendale: memory [en]code Building a Collective Memory within a Tabletop Installation
* Sprague and Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments
* Bennett, Ryall, Spalteholz, Gooch: Aesthetics of Graph Visualization
* Caroline Larboulette: Celtic Knots Colorization based on Color Harmony Principles
* Neumann, Cadik, Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation
(:if:)
April 30, 2007, at 04:39 PM by 136.159.7.11 -
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[[http://www.susan-collins.net/ | '''Susan Collins''']] is one of the UK's leading artists working with digital media. Her recent works employ transmission, networking, and time as primary materials, often exploring the role of perception in their construction and interpretation. She exhibits internationally in public, gallery, and online spaces with works including [[http://www.inconversation.com/ | ''In Conversation'']]; [[http://www.tate.org.uk/space/ | ''Tate in Space'']] commissioned for Tate online; ''Transporting Skies'' which transported sky live between Penzance and Sheffield; [[http://www.susan-collins.net/spectrascope/ | ''The Spectrascope'']], a live transmission from a haunted manor house; ''Underglow'', a network of illuminated drains commissioned by the Corporation of London, and the [[http://www.susan-collins.net/fenlandia/ | ''Fenlandia'']]/[[[[http://www.susan-collins.net/glenlandia/ | ''Glenlandia'']] series, an ongoing exploration into time, technology and landscape. Collins is Head of The Slade Centre for Electronic Media (SCEMFA) at the Slade School of Fine Art, University College London.
to:
[[http://www.susan-collins.net/ | '''Susan Collins''']] is one of the UK's leading artists working with digital media. Her recent works employ transmission, networking, and time as primary materials, often exploring the role of perception in their construction and interpretation. She exhibits internationally in public, gallery, and online spaces with works including [[http://www.inconversation.com/ | ''In Conversation'']]; [[http://www.tate.org.uk/space/ | ''Tate in Space'']] commissioned for Tate online; ''Transporting Skies'' which transported sky live between Penzance and Sheffield; [[http://www.susan-collins.net/spectrascope/ | ''The Spectrascope'']], a live transmission from a haunted manor house; ''Underglow'', a network of illuminated drains commissioned by the Corporation of London, and the [[http://www.susan-collins.net/fenlandia/ | ''Fenlandia'']]/[[http://www.susan-collins.net/glenlandia/ | ''Glenlandia'']] series, an ongoing exploration into time, technology and landscape. Collins is Head of The Slade Centre for Electronic Media (SCEMFA) at the Slade School of Fine Art, University College London.

'''Talk: Pixel Landscapes and the Aesthetics of Transmission'''

'''Abstract: ''' Poised between the still and the moving image, the lens and the pixel, recent networked projects including [[http://www.susan-collins.net/fenlandia/ | ''Fenlandia'']], [[http://www.susan-collins.net/glenlandia/ | ''Glenlandia'']] and [[http://www.susan-collins.net/spectrascope/ | ''The Spectrascope'']] explore how images can be coded and decoded using both light and time. This presentation will explore issues raised by the work including the relationship between landscape, technology and time; abstraction in relation to representation, and reflects on what it means materially to record a digital image and transmit it across space and time.
April 30, 2007, at 04:35 PM by 136.159.7.11 -
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[[http://www.susan-collins.net/ | '''Susan Collins''']] is one of the UK's leading artists working with digital media. Her recent works employ transmission, networking, and time as primary materials, often exploring the role of perception in their construction and interpretation. She exhibits internationally in public, gallery, and online spaces with works including [[http://www.inconversation.com/ | ''In Conversation'']]; [[http://www.tate.org.uk/space/ | ''Tate in Space'']] commissioned for Tate online; ''Transporting Skies'' which transported sky live between Penzance and Sheffield; [[http://www.susan-collins.net/spectrascope/ | ''The Spectrascope'']], a live transmission from a haunted manor house; ''Underglow'', a network of illuminated drains commissioned by the Corporation of London, and the [[http://www.susan-collins.net/fenlandia/ | ''Fenlandia'']]/[[[[http://www.susan-collins.net/glenlandia/ | ''Glenlandia'']] series, an ongoing exploration into time, technology and landscape. Collins is Head of The Slade Centre for Electronic Media (SCEMFA) at the Slade School of Fine Art, University College London.
April 18, 2007, at 04:38 PM by 136.159.7.11 -
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[[http://www.stonesc.com/ | '''Maureen C. Stone''']] has been working in digital color, graphics, perception and the tools for information display for almost 30 years. As principle of [=StoneSoup=] Consulting, she assists clients both business and research clients on a wide range of color problems, as well as teaching. She is an adjunct professor at Simon Fraser University's School for Interactive Arts and Technology, and editor in chief of IEEE Computer Graphics & Applications. Her book, &raquo;A Field Guide to Digital Color&laquo;, was published by A.K. Peters in 2003. Prior to starting [=StoneSoup=] Consulting, she worked at the Xerox Palo Alto Research Center, on projects in digital color, graphics, and interaction. [[<<]]
to:
[[http://www.stonesc.com/ | '''Maureen C. Stone''']] has been working in digital color, graphics, perception and the tools for information display for almost 30 years. As principle of [=StoneSoup=] Consulting, she assists both business and research clients on a wide range of color problems, as well as teaching. She is an adjunct professor at Simon Fraser University's School for Interactive Arts and Technology, and editor in chief of IEEE Computer Graphics & Applications. Her book, ''A Field Guide to Digital Color'', was published by A.K. Peters in 2003. Prior to starting [=StoneSoup=] Consulting, she worked at the Xerox Palo Alto Research Center, on projects in digital color, graphics, and interaction. [[<<]]
April 18, 2007, at 04:12 PM by 136.159.7.11 -
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* %lframe% Attach:Main.SideBar/stone-small.jpg
[[http://www.stonesc.com/ | '''Maureen C. Stone''']] has been working in digital color, graphics, perception and the tools for information display for almost 30 years. As principle of [=StoneSoup=] Consulting, she assists clients both business and research clients on a wide range of color problems, as well as teaching. She is an adjunct professor at Simon Fraser University's School for Interactive Arts and Technology, and editor in chief of IEEE Computer Graphics & Applications. Her book, &raquo;A Field Guide to Digital Color&laquo;, was published by A.K. Peters in 2003. Prior to starting [=StoneSoup=] Consulting, she worked at the Xerox Palo Alto Research Center, on projects in digital color, graphics, and interaction. [[<<]]
* %lframe% Attach:Main.SideBar/lance_pyramid_small.jpg
[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas and the University of Utah. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. He has worked at the New York Institute of Technology, the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. [[<<]]
to:
%lframe% Attach:Main.SideBar/stone-small.jpg
[[http://www.stonesc.com/ | '''Maureen C. Stone''']] has been working in digital color, graphics, perception and the tools for information display for almost 30 years. As principle of [=StoneSoup=] Consulting, she assists clients both business and research clients on a wide range of color problems, as well as teaching. She is an adjunct professor at Simon Fraser University's School for Interactive Arts and Technology, and editor in chief of IEEE Computer Graphics & Applications. Her book, &raquo;A Field Guide to Digital Color&laquo;, was published by A.K. Peters in 2003. Prior to starting [=StoneSoup=] Consulting, she worked at the Xerox Palo Alto Research Center, on projects in digital color, graphics, and interaction. [[<<]]

%lframe% Attach:Main.SideBar/lance_pyramid-small.jpg
[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas and the University of Utah. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. He has worked at the New York Institute of Technology, the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. [[<<]]
April 18, 2007, at 04:06 PM by 136.159.7.11 -
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* [[http://www.stonesc.com/ | '''Maureen C. Stone''']]
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* %lframe% Attach:Main.SideBar/stone-small.jpg
[[http://www.stonesc.com/ | '''Maureen C. Stone''']] has been working in digital color, graphics, perception and the tools for information display for almost 30 years. As principle of [=StoneSoup=] Consulting, she assists clients both business and research clients on a wide range of color problems, as well as teaching. She is an adjunct professor at Simon Fraser University's School for Interactive Arts and Technology, and editor in chief of IEEE Computer Graphics & Applications. Her book, &raquo;A Field Guide to Digital Color&laquo;, was published by A.K. Peters in 2003. Prior to starting [=StoneSoup=] Consulting, she worked at the Xerox Palo Alto Research Center, on projects in digital color, graphics, and interaction. [[<<]]
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[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas and the University of Utah. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. He has worked at the New York Institute of Technology, the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. [[<<]]
to:
[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas and the University of Utah. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. He has worked at the New York Institute of Technology, the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. [[<<]]
April 09, 2007, at 06:22 PM by 136.159.7.11 -
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[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] (:if false:)has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas, the University of Utah, and the New York Institute of Technology. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. Later he worked at the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. (:if:) [[<<]]
to:
[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas and the University of Utah. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. He has worked at the New York Institute of Technology, the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. [[<<]]
April 06, 2007, at 08:45 PM by 136.159.7.11 -
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* [[http://www.stonesc.com/ | Maureen C. Stone]]
* [[http://en.wikipedia.org/wiki/Lance_Williams | Lance Williams]]

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* [[http://www.stonesc.com/ | '''Maureen C. Stone''']]
* %lframe% Attach:Main.SideBar/lance_pyramid_small.jpg
[[http://en.wikipedia.org/wiki/Lance_Williams | '''Lance J. Williams''']] (:if false:)has contributed major advancements to the area of computer graphics including mip-mapping and shadow maps. He studied at the University of Kansas, the University of Utah, and the New York Institute of Technology. He received a doctorate from the University of Utah in 2000 and holds an honorary degree from the Columbus College of Art and Design. Later he worked at the Advanced Technology Group at Apple, joined Dreamworks SKG in 1997, and became Chief Scientist at Walt Disney Feature Animation Studios in 2002. Currently he is at Google, working on Google Earth. (:if:) [[<<]]
April 06, 2007, at 08:09 PM by 136.159.7.11 -
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* Attach:Main.SideBar/lance_pyramid_small.jpg [[http://en.wikipedia.org/wiki/Lance_Williams | Lance Williams]]

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* [[http://en.wikipedia.org/wiki/Lance_Williams | Lance Williams]]

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* [[http://en.wikipedia.org/wiki/Lance_Williams | Lance Williams]]

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* Attach:Main.SideBar/lance_pyramid_small.jpg [[http://en.wikipedia.org/wiki/Lance_Williams | Lance Williams]]

April 06, 2007, at 08:07 PM by 136.159.7.11 -
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!!Invited Speakers

* [[http://www.stonesc.com/ | Maureen C. Stone]]
* [[http://en.wikipedia.org/wiki/Lance_Williams | Lance Williams]]


!! Conference Program
March 29, 2007, at 01:36 AM by 136.159.7.11 -
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To be announced.
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